One of the most surprising and disappointing things I read on other peoples comments were the comparison with PIXAR and of course the quality of the computer generated images. It seems, that US public, values ART according the technical resources of the artist more than the spiritually of the work.
Cinema is art. In USA, that art has become almost absolutely dependent on business. The main reason I am anxious for digital (not film) movies and projectors in every theatre; it is because I will be able to see real artist working not just moneymaking customer oriented factories. Productions will become less expensive, and everybody would be able to create and be judged for their work. In the mean time, luckily in Europe (mostly in France), there are still people interested in art and this movie had a go; something should never happened in USA. A brief description of the argument follows.
HORUS (the god of the sky), about to be executed by his peers, is given 7 days to visit Earth for the last time. He spends his time searching for a particular woman he wants to impregnate. To do that he needs a human body to act as his vessel (or container). An accidentally escaped terrorist (or we can call it a rebel) becomes it. The woman herself is having mysterious body changes and a complete lost of past memories. A lot of small events and characters are involved in the whole situation.
IMMORTEL (ad vitam) is a strange movie; full of religious and philosophical bits. Do not expect more explanations than these. The mystery is part of the movie poetry and is really up to you to understand or feel it. The answers (if any) are pretty hidden inside the movie.
The same images are here, in the film, as in the comic. That's very good, and works well. Some scenes are almost taken directly from the comic, as when Horus help Nikopol for the first time in the subway. The world is more detailed in the film and the story is now more tightly spun around Jill, Horus and Jill's friend John - plus of course Nikopol who serve as the spider in this web.
Many here complain over the computer animations. Especially when it comes to some of the cast. I can only say that it is was a sad decision to create the senator and his two friends as computer animations, since live actors would probably been a wiser decision. It had helped the movie flow a little bit more, and we hadn't been so hung up on that they actually were computer animated. However, after a while, it works and we don't care too much about it. They have so little screen time anyway.
Horus is also animated, but since he's a God, it doesn't matter. And he's better done too. All the other animations are just splendid and work wonders for this graphical and visually stunning film. Immortel is a very nice film with a better story than I thought. I was expecting a difficult and completely un-logical version of the comic - since I've read the reviews - but what we have here is actually a nice and very good movie, told beautifully.
If you haven't read the graphic novels, I suggest you find a copy or two and read them. They are a good introduction to this weird sci-fi world, and it is probably easier to understand the overall theme if you have read them. However, don't get disappointed when some story elements don't show up in the film. (I especially missed the hockey-game!)
I sincerely hope that Enki Bilal makes more movies like this one, or even a sequel. I would really like to know what happens next... Enki Bilal's mind is beautiful - and this film will be a classic within a few decades. For now, it's just a little bit too before its time to be taken the way it should. But soon, people will discover it and see the nice little details that lay inside the world of future New York.
Cinema is art. In USA, that art has become almost absolutely dependent on business. The main reason I am anxious for digital (not film) movies and projectors in every theatre; it is because I will be able to see real artist working not just moneymaking customer oriented factories. Productions will become less expensive, and everybody would be able to create and be judged for their work. In the mean time, luckily in Europe (mostly in France), there are still people interested in art and this movie had a go; something should never happened in USA. A brief description of the argument follows.
HORUS (the god of the sky), about to be executed by his peers, is given 7 days to visit Earth for the last time. He spends his time searching for a particular woman he wants to impregnate. To do that he needs a human body to act as his vessel (or container). An accidentally escaped terrorist (or we can call it a rebel) becomes it. The woman herself is having mysterious body changes and a complete lost of past memories. A lot of small events and characters are involved in the whole situation.
IMMORTEL (ad vitam) is a strange movie; full of religious and philosophical bits. Do not expect more explanations than these. The mystery is part of the movie poetry and is really up to you to understand or feel it. The answers (if any) are pretty hidden inside the movie.
The same images are here, in the film, as in the comic. That's very good, and works well. Some scenes are almost taken directly from the comic, as when Horus help Nikopol for the first time in the subway. The world is more detailed in the film and the story is now more tightly spun around Jill, Horus and Jill's friend John - plus of course Nikopol who serve as the spider in this web.
Many here complain over the computer animations. Especially when it comes to some of the cast. I can only say that it is was a sad decision to create the senator and his two friends as computer animations, since live actors would probably been a wiser decision. It had helped the movie flow a little bit more, and we hadn't been so hung up on that they actually were computer animated. However, after a while, it works and we don't care too much about it. They have so little screen time anyway.
Horus is also animated, but since he's a God, it doesn't matter. And he's better done too. All the other animations are just splendid and work wonders for this graphical and visually stunning film. Immortel is a very nice film with a better story than I thought. I was expecting a difficult and completely un-logical version of the comic - since I've read the reviews - but what we have here is actually a nice and very good movie, told beautifully.
If you haven't read the graphic novels, I suggest you find a copy or two and read them. They are a good introduction to this weird sci-fi world, and it is probably easier to understand the overall theme if you have read them. However, don't get disappointed when some story elements don't show up in the film. (I especially missed the hockey-game!)
I sincerely hope that Enki Bilal makes more movies like this one, or even a sequel. I would really like to know what happens next... Enki Bilal's mind is beautiful - and this film will be a classic within a few decades. For now, it's just a little bit too before its time to be taken the way it should. But soon, people will discover it and see the nice little details that lay inside the world of future New York.